With the demise of Live Soulhat Audio (R.I.P.), the Soulhat Web has increased its net bandwidth and will being offering random, live selections from Soulhat history on a semi-limited basis. If this really starts to eat at our bandwidth, we'll probably scale back or remove this page for days at a time. To make that unnecessary, please be kind and only download each song once, unless yer download fails for some reason. Thanks!
Please note: although we promise you're downloading audio files, we STRONGLY recommend you scan EVERY file you download (or receive via e-mail) with the anti-virus program of your choice. Honestly, it's the only way we're ever going to stop the madness.
Windows users "right click" (Mac users "hold-click" or "control-click" in Safari for Mac OS X) on the links below and "save as" to the preferred location on your hard drive. You will need an MP3 player like WinAmp (Win) or iTunes (Mac/Win) to play and listen to these files. Happy wigging!
Heynow: looking for more Soulhat/McVein audio to download? Check out Kevin McKinney's web site for access to exclusive, unreleased audio tracks.
CURRENT AUDIO SELECTIONS (July 2005):
Selections from an acoustic set on
7/8/2005 at Studio 1A
KUT-FM, Public Radio
University of Texas at Austin
Eklektikos with John Aielli
Austin, TX
Personnel: Bill Cassis, Kevin McKinney, Brian Walsh.
Source: FM > Sony Digital Tuner > D8 (44.1kHz) > PCM > mp3
Encode: 128 kbit, quality: not bad at all
01 Introduction: John Aielli — (1.2 mb)
02 Here — (3.3 mb)
03 Interview: Old Guitar, New Guitar — (3.3 mb)
04 For the Drinkers — (3.7 mb)
05 Interview: Water and Wine — (3.1 mb)
06 Talking to Plants — (3.5 mb)
07 Interview: Antone's, Pinetop Perkins, Annie Leibovitz — (3.2 mb)
08 Build It Up Tear It Down — (3.1 mb)
09 Interview: Tearing It Down, Outro — (2.7 mb)
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This page will be updated with new content by December 15, 2005. All files are for your own personal enjoyment and should not be traded, sold or used for profit. All songs © 1990-2005 Soulhat and rights to their use for any purpose are reserved exclusively by the band & its authorized agents.
Since the early days, Soulhat has permitted taping of its live performances. As a result, fans are able to listen and enjoy dozens if not hundreds of hours of their best music. But taping is a privilege and with privilege comes responsibility. For this reason, tapers and live music collectors should familiarize themselves with certain aspects of copyright law as it pertains to their hobby. Knowledge of and compliance with these laws will protect legitimate tapers from association with those who abuse this privilege and bootleg unauthorized & copyrighted recordings. For more information on copyright law, please read the Soulhat Web copyright statement.
